Where Actors & Directors TRAIN for
the Screen in the 21st Century*

Stonestreet Studios is a film & screen acting school as well as a producing organization located in the Flatiron District of midtown Manhattan in New York City. The Stonestreet Screen Acting Workshop ("SSAW"), an integral part of our organization, is an advanced drama conservatory of New York University's Tisch School of the Arts Drama Department. Our mission is to TRAIN actors in the art of screen and film acting - something markedly different than stage acting - by transcending previously learned techniques within an environment of a working production company that draws on the SSAW student body and the professional community to create filmed entertainment in all it's genres

 

Established in 1991
This is Stonestreet's 19th Year
Teaching the Craft of Film and Screen Acting!

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*STAGE training does not prepare you as an actor for the SCREEN. Screen Acting requires dedicated and specific training, training ACTORS and DIRECTORS receive at Stonestreet.



48 West 21st Street, 8th Floor
New York, New York 10010
800.701.9110 voicemail/fax
212.229.0020 studio office
admin@stonestreet.pro
© 1991-2009 Stonestreet Studios Inc.


 

Stonestreet Screen Acting Workshop ONE

Course Descriptions

First Semester

Offered in Fall, Spring and Summer

8 Points

Screen Acting and Character

Instructors: McCabe and Guest Professionals

This course is designed to give theater-based trained actors a specific and detailed introduction to the technical challenges of acting for film. Using discussion of theory, on-camera exercises and on-camera performance, along with playback, we explore the way an actor must use film technique to bring a character to life on the screen. Students learn the particularities of film acting by working on scripts and monologues in a single camera setting.

This class addresses the rigorous and specific technical and esthetic skills essential for truthful and interesting film acting. It analyzes the differences between stagecraft and film craft, as well as contrasting theater and film as distinct art forms. Students are confronted with the magic and the mystery of the camera and the film editor’s cut, and how film grammar affects an actor’s performance from the perspective of the audience. This class debunks the conventional wisdom that film craft requires only a minor adjustment to stagecraft; film acting is significantly different than stage acting, and this class will show you the truth of this proposition.

 

Multi-Camera: Live on Tape-Soaps

Instructors: Laundras

This class addresses the particular demands of working with multiple cameras live, such as in daytime television. The First half of the semester is devoted to script analysis and camera technique. During the second half of the semester, students tape an actual soap opera episode in an environment that simulates a typical day’s work on a real soap opera set using Stonestreet’s professional control room with multiple cameras, sound and lights.


Screen Comedy, Improv and Sit-Coms

Instructor: Atkinson

This class analyzes comedy in film, sit-com material and working conditions, and the demands placed on actors who are asked to be creative and "funny" (however that may be defined or interpreted). The class attempts to identify and nurture each student’s individual comic persona. The class culminates in a production of finalized scenes.


Screen Audition Techniques

Instructor: Galligan

This class provides a forum for students to learn how the camera and industry professionals perceive them. With the guidance of the instructor, students choose and prepare dynamic 1-2 minute monologues that will showcase them in a unique way in film, television and theater auditions. The class also warms-up and preps students for the legit agents and casting directors attend Stonestreet's Monday Night Showcase Class.

 

Voiceovers, Voice and Character on Film

Instructors: Braga

How does an actor “sound REAL?” Using the Alexander Technique as our ground, this class will focus on voice for commercials, TV, and film. We will explore vocal freedom, expressive bodies, and authentic sound. We will begin with voice and advertising, finding the part of us that sells in “real life” so we don’t just sound real, we are real. We will end the semester working on voice for TV and film by using scenes from your other classes. What is a “character voice”? How much is too much? This class is about freedom and expressive presence so dress to move.


History of Film Acting

Instructor: Bass

This class explores some of the most inspiring examples of this relatively infant art, from as early as 1910 to approximately the 1950s, thereby creating a base of knowledge that show not only what has been, but what can be.


Audition and Showcase

Instructors: Galligan, Guest Talent Agents, Casting Directors and Managers

Students work on audition material that includes all television formats, theater and film. Each week, students then present the material, individually or in a scene, to visiting professional talent agents and casting directors, showcasing their work and their talent, and receiving professional feedback. This is a general audition class that maximizes industry contact between students and professionals. This class is highly regarded by the industry because of Stonestreet’s entire training program and the impact it has on its student’s work and their auditioning skills.

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