Stonestreet Studios is a FILM acting school, or more accurately, a SCREEN acting school and conservatory as well as a multi-service educational entertainment and internet institution comprising several enterprises including the Stonestreet Screen Acting Workshop as well as a fully-operating television production and post-production facility. We teach FILM and SCREEN acting AS A CRAFT. We are located in the Flatiron District of midtown Manhattan in New York City. The Stonestreet Screen Acting Workshop is one of the advanced drama conservatories of New York University's Drama Department.
 

Established in 1991
This is Stonestreet's 19th Year
Teaching the Craft of Film and Screen Acting!

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48 West 21st Street, 8th Floor
New York, New York 10010
800.701.9530 fax
212.229.0020 voice
stonestreet@gmail.com
© 1991-2008 Stonestreet Studios Inc.

STONESTREET Workshop I

The Stonestreet Screen Acting Workshop is conducted over two semesters, consisting of Workshop I and Workshop II. A student may take either Stonestreet I or II in the Fall, Spring or Summer Semesters. In addition to the foregoing, Stonestreet offers Independent Studio for those students who wish to work on independent film or television projects or intensively in small groups or individually after completing Workshop I and II.


Stonestreet One

First Semester

Offered in Fall, Spring and Summer

8 Points


Screen Acting and Character
Instructors: Bennett, McCabe and Guest Professionals

This course is designed to give theatre-based trained actors a specific and detailed introduction to the technical challenges of acting for film. Using discussion of theory, on-camera exercises and on-camera performance, along with playback, we explore the way an actor must use film technique to bring a character to life on the screen. Students learn the particularities of film acting by working on scripts and monologues in a single camera setting.

This class addresses the rigorous and specific technical and esthetic skills essential for truthful and interesting film acting. It analyzes the differences between stagecraft and filmcraft, as well as contrasting theater and film as distinct artforms. Students are confronted with the magic and the mystery of the camera and the film editor’s cut, and how film grammar affects an actor’s performance from the perspective of the audience. This class debunks the conventional wisdom that film craft requires only a minor adjustment to stagecraft; film acting is significantly different than stage acting, and this class will show you the truth of this proposition.


Multi-Camera: Live on Tape
Instructor: Linda and David Launda

This class addresses the particular demands of working with m,ultiple cameras live, such as in daytime television. The First half of the semester is devoted to script analysis and camera technique. During the second half of the semester, students tape an actual soap opera episode in an environment that simulates a typical day’s work on a real soap opera set using Stonestreet’s professional control room with multiple cameras, sound and lights.


Sit-Coms and Comedy on Screen
Instructor:Reed and Marcantel

This class analyzes comedy in film, sit-com material and working conditions, and the demands placed on actors who are asked to be creative and "funny" (however that may be defined or interpreted). The class attempts to identify and nurture each student’s individual comic persona. The class culminates in a production of finalized scenes.


Screen Audition Techniques
Instructor: Zach Galligan

This class provides a forum for students to learn how they are perceived by the camera and industry professionals.  With the guidance of the instructor, students choose and prepare dynamic 1-2 minute monologues that will showcase them in a unique way in film, television and theater auditions.  The class also warms-up and preps students for the legit agents and casting directors attend Stonestreet's Monday Night Showcase Class.

Commercial Technique – The Business and Commercial Production
Instructor: Terri Cole Juhasz

This class is a comprehensive and intensive course on the New York commercial market trends in advertising, commercial contracts and renegotiations as well as the auditioning process. Students work on technique for commercials, and apply it to auditions, interviews, callbacks and screen-tests. As a result of this class students often have the opportunity to audition for and shoot actual commercial or public service announcements that air and are also streamed on Stonestreet Movies.


Voice
Instructors: Karen Braga

How does an actor “sound REAL”? Using the Alexander Technique as our ground, this class will focus on voice for commercials, TV, and film. We will explore vocal freedom, expressive bodies, and authentic sound. We will begin with voice and advertising, finding the part of us that sells in “real life” so we don’t just sound real, we are real. We will end the semester working on voice for TV and film by using scenes from your other classes. What is a “character voice”? How much is too much? This class is about freedom and expressive presence so dress to move.


Audition and Showcase
Instructors: Zach Galligan, Guest Talent Agents, Casting Directors and Managers

Students work on audition material that includes all television formats, theater and film. Each week, students then present the material, individually or in a scene, to visiting professional talent agents and casting directors, showcasing their work and their talent, and receiving professional feedback. This is a general audition class that maximizes industry contact between students and professionals. This class is highly regarded by the industry because of Stonestreet’s entire training program and the impact it has on its student’s work and their auditioning skills.


History of Film Acting
Instructor: Charlie Bass

This class explores some of the most inspiring examples of this relatively infant art, from as early as 1910 to approximately the 1950s, thereby creating a base of knowledge that show not only what has been, but what can be.

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